Church bells are ringing from every corner of this ancient city as the sun comes up over the distant purple mountains. Glancing out the window of my apartment, other than modern appliances and plumbing (thank goodness for the plumbing — have you read about Renaissance sanitation?), it’s easy to feel like I could be living at a time when these same bells inspired people to create some of the finest artwork ever known to man. The funny thing? Back then, they didn’t call it the Renaissance. That term was invented 200 years later by a French historian who looked back and said, “Wow, something amazing happened there.” Which makes you wonder: What are we calling our current moment? The Age of Anxiety? The Era of Endless Scrolling? The Age of AI?  Medici Money Here’s what actually sparked the Renaissance, and it’s not what your high school art teacher told you. Sure, there was a “rebirth” of classical learning after monks spent centuries copying Greek and Roman texts by candlelight. But you know what really made it happen? Money. Lots of it. The Medici family — basically the venture capitalists of the 1400s — decided that commissioning art was better than

  Deep blue waters stretch endlessly before me, framed by snow-capped Alps that pierce the October sky. From my window at Hotel Barchetta on Lake Como, I watch the morning light dance across waters that have inspired artists for centuries. Fall has painted the mountainsides in muted browns, oranges, and reds, while ornamental estates dot the shoreline like elaborate birthday cakes. The busy summer lake season has quieted now. An occasional classic wooden speedboat cuts through the mirror-like surface, and a few tour boats ferry the last visitors of the season to distant shores. Churchill, who painted these very waters, called Como “the most beautiful lake in the world.” Even Mark Twain, initially partial to Lake Tahoe, eventually confessed that Como deserved “the eternal comparison.” This week, I’m painting both Como and Lake Garda as I lead a group of people through Switzerland and Italy on my annual international painting trip. Last May, at the Plein Air Convention, it was Tahoe. Three of the world’s most stunning lakes have graced my canvases this year, and somehow, instead of exhaustion, I feel invigorated — not just by the beauty, but by the stories unfolding around me. Voice at Dawn Over breakfast,

I’ve awakened inside a postcard. Outside my window at Hotel Seeburg, Lake Lucerne spreads like molten silver beneath peaks that dwarf anything I’ve painted in Colorado or the Adirondacks. These are the Swiss Alps in their full glory — cathedrals of stone and snow that make you believe in something larger than yourself. The sun creeps behind the Pilatus massif, setting the mountain face ablaze with copper and gold. Light dances across the lake in brushstrokes I could spend a lifetime trying to capture. My easel calls from the corner, but breakfast waits, and soon we’ll board the coach to Engelberg, where my painting adventure begins in earnest. This is day two of leading artists through Switzerland — some old friends, others destined to become so. Last night’s welcome dinner was brief; jet lag is the great equalizer. But today, ah today, we paint our first alpine village. I’m seriously considering those lederhosen hanging in the closet. In Switzerland, audacity feels not just acceptable, but required. The Girl in the Clock Shop Decades ago, I stood in this same magical landscape as a 19-year-old boy, trembling not from the mountain air but from my own inadequacies. My parents had gifted

 Is it my imagination, or is there a hint of apple cider floating in this crisp fall air?Yesterday’s drive from Chicago to Door County, Wisconsin, transported me back to a childhood paradise. The harvested cornfields, roadside pumpkin stands, and orchards heavy with autumn fruit stirred something deep within me. Fall has always been my favorite season, and Wisconsin — with its sprawling farms — feels like the landscape of my childhood, where every breath carried the promise of possibility.But here’s what struck me most: That apple cider scent didn’t just smell good. It triggered a flood of memories, taking me instantly back to childhood orchard visits, sticky fingers wrapped around warm cider cups, and the safety of family traditions.Mental Time TravelWe all carry these invisible triggers. The taste of black grapes transports me to my grandmother’s garden arbor. The opening notes of “Have You Seen Her” by the Chi-Lites still choke me up, instantly returning me to that intersection as 17-year-old me drove my dad’s ’67 GTO, tears streaming, after my girlfriend Corky broke my heart.These flashbacks can be beautiful gifts — or invisible prisons.For decades, I let one devastating moment define my choices. Getting fired from the company I founded

 Is it my imagination, or is there a hint of apple cider floating in this crisp fall air?Yesterday’s drive from Chicago to Door County, Wisconsin, transported me back to a childhood paradise. The harvested cornfields, roadside pumpkin stands, and orchards heavy with autumn fruit stirred something deep within me. Fall has always been my favorite season, and Wisconsin — with its sprawling farms — feels like the landscape of my childhood, where every breath carried the promise of possibility.But here’s what struck me most: That apple cider scent didn’t just smell good. It triggered a flood of memories, taking me instantly back to childhood orchard visits, sticky fingers wrapped around warm cider cups, and the safety of family traditions.Mental Time TravelWe all carry these invisible triggers. The taste of black grapes transports me to my grandmother’s garden arbor. The opening notes of “Have You Seen Her” by the Chi-Lites still choke me up, instantly returning me to that intersection as 17-year-old me drove my dad’s ’67 GTO, tears streaming, after my girlfriend Corky broke my heart.These flashbacks can be beautiful gifts — or invisible prisons.For decades, I let one devastating moment define my choices. Getting fired from the company I founded

The morning light catches the lake, gleaming like liquid gold. Summer’s last breath warms the air while autumn whispers through the maples, their leaves just beginning to blush orange and crimson. Here in the Adirondacks, the baby loons have shed their fuzzy innocence, transforming into sleek young adults testing their wings. Soon their parents will abandon them to fly south, leaving the youngsters to master independence through trial and solitude. It’s nature’s way of saying: You’re ready, even if you don’t feel it. In a few hours, I’ll reluctantly pack my car and drive north to Burlington, then fly back to the demands of boardrooms and studios. My extended summer here — interrupted by that magical month in China — feels like it ended before it truly began. The fiberoptic cable running along the lake bottom has been my lifeline, letting me broadcast from this sanctuary instead of rushing back and spending time on airplanes. Technology gave me the gift of not having to choose between work and wonder. But reality calls. Board meetings await in Austin, followed by the next chapter of what I’m calling my “world art tour.” I’m excited about what’s ahead, yet leaving this place always

 Cool morning air kisses the warm lake water, birthing a mist that rises twenty feet into the sky, veiling distant pines and mountains in ethereal softness. The sky glows the color of childhood Creamsicles—that particular orange-cream hue that instantly transports me to summer afternoons when the ice cream truck's melody meant freedom, a dollar from mom, and the simple perfection of a frozen treat melting in the heat.I lived what might be called a Leave It to Beaver childhood—safe, secure, unmarked by significant drama or want. My father engineered this deliberately. He'd lived through the Great Depression, watched his family have to leave their secure little white home on Webster Street to economic necessity, and found himself at six years old doing pre-dawn farm chores on his grandfather's land before walking miles to a one-room schoolhouse. "I never wanted you kids to experience what I did," he once told me, and he succeeded magnificently.Yet here lies the paradox: It was precisely that hardship that forged my father into the man I admired. And while I'm profoundly grateful for the security he provided, I sometimes wonder if a measured dose of struggle might have served us better. Like my parents before me,

The steam from my coffee mingles with the morning mist rising from the lake, both carrying the scent of pine and the faint diesel exhaust from boats already heading out for their final summer adventures. My uncovered legs prickle with goosebumps — a faithful companion during these last days in shorts before autumn stakes its claim. The metallic taste of cool air hints at change, while the sweet aroma of lake water and sunscreen still clings to the dock chairs around me. The joy-filled screams of children on tubes behind speedboats pierce the morning quiet, their laughter echoing off the water as the wakes break the mirror-like surface. They’re grabbing one more ride, maybe two, before this holiday weekend draws summer to its inevitable close. This is the sound of a perfect summer.  Later today, friends we’ve known for decades — some for every summer of their lives since they were children — will gather for our traditional lake-wide farewell ceremony, awarding sailing trophies and sharing hugs that must sustain us until next June, knowing some embraces may be our last after all these years together. The Rhythm of Tradition While the holiday weekend signals departure for most — back

Through the weathered screen of this old Adirondack porch, Lake Spitfire stretches before me like a mirror, its surface broken only by gentle lapping against a fallen pine that’s become part of the shoreline. The silence is so complete that the ringing in my ears becomes the loudest sound, competing only with the steady tick of the hand-wound clock that has marked time in this camp for 120 years. I’m not the first to sit in this wicker chair with a warm cup of coffee, watching the lake’s morning ritual. Generations have found their way to this same spot, drawn by the magical escape these mountains offer. I’m not really an owner here — just a temporary caretaker until someone else takes their turn in this chair, continuing a tradition that predates me and will outlast me. Perhaps the only proof of my time here will be the painting hanging over the stone fireplace, slowly darkening with soot from countless fires. I like it here because I can get lost in my thoughts and just disappear. Have you ever felt invisible? Like if you simply vanished, the world would barely register the absence? I know that feeling intimately. Years ago,

It’s peaceful, sitting lakeside in the Adirondacks, on the dock and staring aimlessly at the morning mist rising off the water and pondering what I’m grateful for as I think about some of the wonderful moments in my life. Today, before the sun started to think about painting the sky pink, the loons acted as my alarm, starting the day with their haunting loooooon call across the lake. It’s not just a sound — it’s a two-way conversation that’s been going on for thousands of years, since long before we humans showed up. That call echoes off the mountains and settles right into my bones, making me realize that I’m just a guest here, and not even a particularly important one in the grand plan. Like clockwork, as if someone said, “Cue the birds,” a giant bald eagle comes swooping in overhead like he owns the place — which, let’s be honest, he pretty much does. Wings spread wide as my mother’s old ’55 Buick, riding the thermals with the kind of effortless grace that makes you wonder why we humans work so hard at everything. All summer long, we’ve been watching two baby loons ride around on their mama’s

The morning air carries the sound of an aluminum motorboat that moves slowly across the lake with a slight, muffled hum as it penetrates the remaining fog resting on the water. Steam rises from my coffee cup, resting on the arm of my 100-year-old Adirondack chair on the dock. There’s something about Sunday mornings that makes the world feel full of possibility. The Dream That Wouldn’t Die At 14, I fell desperately in love with an impossible dream: becoming a radio DJ. Not just any DJ — a star. I wanted it with the kind of burning intensity that only teenagers can muster. While other kids played Pong, I practiced my craft with religious devotion. When songs came on the radio, I’d talk up the intros like I was broadcasting to millions: “This is Eric Rhoads, your favorite DJ, and here’s a brand new record from the O’Jays.” My secret weapon was a K-Tel record album — one of those compilations that crammed 20 shortened hit songs onto a single disc. Perfect for practice. I could rehearse talking at the start and end of records, 20 songs in a row, pretending I was the voice that connected people to the

The high-pitched clanging of the flagpole cuts through the morning air like a metallic rooster, beating out a rhythm that echoes off the distant Adirondack shore. I’m wrapped in that perfect combination of pine-scented air and the kind of silence that only exists when you’re far enough from civilization that your phone has given up trying to find a signal. My morning tea steams in the cool breeze — tea is a habit I picked up in China last week, though I’m pretty sure the monks who taught me didn’t intend for it to be consumed while wearing swim trunks in an Adirondack chair. The sun is already making promises about another scorcher, and I can feel my bare arms getting that familiar tingle that says, “You’re going to be diving into that lake by noon.” This is where the magic happens — not in boardrooms or conference calls, but in these stolen moments when you’re forced to sit still and let your brain catch up with your life. It’s here, listening to the water lap against the dock, that I always have the same predictable post-vacation revelation: “I want fewer meetings, fewer commitments, and I want to think about

Last night’s crickets performed their deafening concerto outside my window here in Austin — that ancient sound of summer that transports me instantly to childhood. It’s remarkable how the sound of 10,000 crickets’ chirps can unlock an entire vault of memories: my mother calling us in for dinner, telling us to come home when the streetlights come on, screen doors slamming, my brothers and I racing barefoot across grass though the sprinklers, staying up late and sleeping late, and watching it rain from the safety of the garage, sitting in old webbed lawn chairs commenting about how God is bowling. Tonight I’ll hear different crickets as I arrive for the summer at our Adirondack lake home, but they’ll be singing the same timeless song, the rhythm as reliable as my grandmother’s heartbeat when she’d hold me during thunderstorms at her lake, miles from where we go now. Bronze Warriors Summers were our family’s sacred season. My cousins and I would transform into bronze warriors, armed with bottles of baby oil that we’d slather on like war paint, laying out on the dock determined to achieve the perfect tan. We’d sprawl across multi-colored terrycloth towels — mine was an orange ’60s