22 03, 2026

The Arrogance of Youth, the Danger of Ancient Wisdom

2026-03-22T07:32:57-04:00

 

A fierce storm tore its way across the state, blowing sticks and branches, leaves and debris with the force of a baby hurricane. The looming dark sky provided warning before its full dramatic performance: billowing clouds, gusting winds, whitecaps on the water, and winds you could hardly stand against. Then the curtain finally came down.

The responsibility of home ownership includes cleanup after the storm. Lots of branches down, lots of leaves, and as I walked out to survey the damage at the waterfront, I spotted what looked like a good-sized log drifting against the side of my dock.

I should move that, I thought, like a responsible adult. So I kicked my shoes off and was about to wade into the water … when the log moved, and stared me down like it was ready for an oversized meal. It was an alligator pretending to be a log. I have decided he can remove himself at a time of his choosing. I will not be rushing him. I don’t need the drama. Nor will I dangle my feet in that water again.

But here’s the thing about that storm: It cleared the air. It stripped the dead branches off the trees. It reminded the yard … and me … what actually matters and what’s just deadwood waiting to fall. Storms do that. They’ve always done that. And so, apparently, do alligators.

The Storms We Hate

I’ve spent years preaching the importance of embracing storms … the metaphorical kind. And I want to be completely honest with you: I didn’t look at hard times the same way when I was young.

Hard times were bad. Difficulty was an obstacle. I wanted none of it. I wanted the straight line from here to success. No pain but all the gain.

I still don’t love a storm. Let’s not romanticize this too much. But I understand them now in a way that the younger version of me simply could not. Because almost every storm I’ve ever weathered was one I created myself. Unbridled ambition, moving too fast, not thinking about the human beings in my path, not paying close enough attention, overspending and under-listening. I bumped into people. I bruised egos. I left some wreckage in my path.

The storm was the universe handing me the invoice.

Brilliance or Arrogance?

Recently I worked with a brilliant young man. Talented. Driven. A force of nature. And watching him was like finding an old photograph of yourself that you’d prefer no one else ever sees.

All he cared about was forward momentum. Career trajectory. Results. Speed. And if you weren’t keeping up … if you didn’t respond fast enough, produce fast enough, think fast enough … you were either getting a very pointed conversation or he wanted you fired. He had the impatience of a man who had somewhere important to be, and you were on the escalator and in his way.

He thought he was impressing me, yet I recognized every single move. Because I made every single one of them myself at his age.

He didn’t bruise my ego. He couldn’t … I’ve been working on that particular vulnerability for decades. My approach now is borrowed straight from Ted Lasso: Be a goldfish. Short memory. In one ear, out the other. Don’t carry what other people are putting down.

But watching him, I felt something more interesting than irritation. I felt clarity. Because that relentless, forward-at-all-costs energy … that is the arrogance of youth. And the arrogance of youth creates storms. And those storms? That’s the classroom. That’s where the actual education happens.

Screaming Billionaires

I’ll give credit where it’s due: Some of the most driven people on the planet … the screaming, table-pounding, “sleep-is-for-the-weak” crowd … have built extraordinary things. I genuinely admire the output, even when I cringe at their methods.

But I don’t have the stomach for it. And honestly? I don’t want it.

Because here’s what I’ve noticed: The people who rule by fear or pressure may win on the scoreboard. But they lose something far more valuable: the trust of the best people around them, who are counting the days until they can work somewhere else. Quality people don’t stay where they’re not respected. And a life surrounded by people who are merely tolerating you is a lonely kind of winning.

I’ll take a slower lap with people who actually want to be in the room. And if that prevents me from being a billionaire, I’m good with that. I have to live with myself.

Gift or Trap? 

Now here’s where I turn the mirror around. Because the opposite of the arrogant young man isn’t wisdom. It’s the risk of becoming calcified.

Ancient wisdom … the kind you earn after decades of hard lessons, failed ventures, relationships tested and sometimes broken, and a few alligators you almost grabbed … is a remarkable thing. We understand human psychology now in ways we couldn’t at 30. We can accomplish through patience and insight what we used to try to brute-force. We know which fights aren’t worth having and which relationships are worth protecting.

I wish I’d known then what I know now is probably the most universal human sentiment in existence.

But. And this is a big but.

The dark side of ancient wisdom is being stuck. Closed. Certain. Done learning. Convinced that the way things used to be done is the way things should be done. Treating new ideas like threats. Treating younger thinkers like they don’t get it yet.

To me, that is the kiss of death.

The Echo Chamber Curse

What I fight against every single day, if I’m honest, is the seduction of my own certainty.

It’s comfortable to be right. It’s comfortable to surround yourself with people who agree with you, who validate your worldview, who watch the same channels and read the same social media posts and conclude the same things you do. The world becomes very small and very manageable and very … wrong.

I intentionally fill my life with people who are not like me. Different ages. Different backgrounds. Different cultures. Different starting points. Different political views. I love the energy of someone at the beginning of their career … hungry, maybe a little pushy, occasionally exhausting, always alive. I love the people in my world who are mid-career, dropping the worst habits of youth, picking up the first gifts of wisdom, and holding me accountable to keep up.

They make me better. Sometimes they make me uncomfortable. That’s how I know it’s working. Because discomfort is actually a key to all growth. When you find yourself squirming a little … embrace it.

Your Brain Is Rooting for You 

Here’s something worth knowing: Your brain, unlike most things past a certain age, actually wants to keep growing.

Without getting too technical, neuroscience has given us the concept of neuroplasticity: the brain’s remarkable ability to form new neural connections throughout life. Not just in childhood. Not just in your 30s. Throughout life. The brain retains the capacity to rewire, adapt, and strengthen well into old age … but only if you use it. Challenge it. Expose it to novelty. Make it work. The brain changes itself based on what you do and what you don’t do.

And here’s the one nobody expected: Your brain loves cholesterol. Loves it. The brain is the most cholesterol-rich organ in the body … it contains roughly 25% of all the cholesterol in your system, most of it used to make your neurons fire efficiently. We spent decades demonizing the stuff, and it turns out the organ doing the demonizing needed it to function. And statins, it turns out, are not what they were cracked up to be, only extending life for about four days and often causing memory problems or worse.

An unused brain atrophies, just like an unused muscle. Sitting still … intellectually, emotionally, experientially … is a slow erosion. The people I’ve watched become their worst selves in later life almost all had one thing in common: They stopped being curious.

What I Can’t Control

We have very little control over what happens to us. But we have enormous control over what we do with it.

We can control what we put in our bodies and what we let rot inside our heads. We can control whether we say yes to a new experience or talk ourselves out of it with excuses or fear dressed up as reasons. We can control whether we get on a plane to someplace that scares us a little,  learn a phrase in another language, try the food, and sit with the discomfort of not understanding something, and come out the other side larger than we went in.

Personally, I don’t want to sit mindlessly watching the news. I want to travel the world. I want new languages stumbling out of my mouth. I want to understand why people who seem so different from me fight so hard for what they believe, and to genuinely ask myself what I might be missing. I want to read what challenges me, not just what confirms me.

The lounge chair and the news cycle are always there. They will wait for me. The world will not.

Questions Worth Asking

I ask myself some version of these every day. What about you?

What are you treating as settled that might actually be worth reopening?

Where is the arrogance of your youth still running the show, and where has it finally started to quiet down?

What has your ancient wisdom closed off that you should still be curious about? You don’t have to be old to be set in your ways. I’m fighting like mad to get someone I know to adopt some new technology that will change his life, yet he refuses.

What are you accepting as gospel simply because you’ve believed it for a long time, or because your parents or grandparents believed it?

When did you last do something that made you feel genuinely new? Or really uncomfortable?

What is one thing you’re calling “I’m too old for that” or “I’m too young for that,” which is actually just fear with a better vocabulary?

I don’t have clean answers to any of these, but I have a commitment to keep asking.

The Bottom Line

Youth’s greatest weapon is its energy and hunger, but those are also its greatest liabilities. It’s why insurance for reckless young men is expensive. Age’s greatest gifts, perspective and patience, are also its greatest threats, if we let them calcify into certainty.

The goal is to stay in the tension. Stay curious. Stay in the room with people who make you stretch. Let the storms clear out your deadwood. And for heaven’s sake, before you reach for something at the edge of your dock … look more carefully. Some logs have teeth.

Now go do something that surprises you.

 

Eric Rhoads

PS: I have a confession to make.

As the founder of a magazine dedicated to painting outside, I’ve stood in front of some of the most celebrated landscapes on earth. Provence. The Amalfi Coast. The Scottish Highlands. Tuscany. New Zealand. I’ve chased light on six continents, but nothing prepared me for China.

 

I’ll be honest. When invited last summer, I almost didn’t go. Friends who had traveled there came back with warnings. It’s not safe. The government watches everything. You’ll feel uncomfortable the whole time. And the news certainly doesn’t help. I had a picture in my head of what China would be, and I believed it because I was allowing myself to be set in my ways and not willing to find out for myself. Finally, I came to my senses.

 

I feel like I was lied to.

 

What I actually found was this: mountains so dramatic they look like someone painted them first. Rivers the color of jade winding through valleys wrapped in morning mist. Colorful ancient villages and monasteries where life still moves at the pace of the brush. And the food … I’m still thinking about the food. I’m still thinking about the noodles, and the art supplies you can only get in China!


But more than anything, it was the people. Warm, curious, generous people who would gather around my easel and watch me paint and bring me tea, with this quiet delight that needed no translation. I’ve never felt more welcomed anywhere in my life. 


I tear up just thinking about it. I can’t wait to go back.

So I decided … I’m not going back alone. I’m hosting a painting trip to China this fall, and I’m bringing a small group of painters with me. My friends on the ground there are organizing everything, which means this won’t be a generic tour. It will be real China … the hidden places, the local tables, the landscapes the tourists never find, including rare access to plein air bases, something we don’t have in America. Plus you’ll meet legendary Chinese master artists along the way.

If you’ve been waiting for a reason to go — this is it. If you’ve been before, this will be unlike anything you’ve experienced. Are you open-minded enough to get on a plane to China? www.pleinairtrip.com/china

Wanna see some of the greatest Impressionist paintings you’ve never seen? Japan holds more Impressionist paintings than any city on earth … except Paris. More than New York. More than London. The Japanese fell in love with the Impressionists at the very moment the Impressionists fell in love with Japan … ukiyo-e woodblock prints flowing into Monet’s water lilies, Hiroshige reshaping how the West learned to see light and space. One of art history’s greatest untold love stories. We’re going to see both sides of it.

Small group. 15 years of never letting people down.

Anybody can visit museums. Anyone can visit Japan. Not just anybody can go behind the scenes. For 15 years, Fine Art Connoisseur Magazine has quietly curated the most extraordinary art travel experiences in the world. Not tours. Experiences people talk about for the rest of their lives.

We’ve sat in private homes and viewed collections owned by descendants of history’s greatest artists. Gone behind velvet ropes into museum storage rooms most curators never see. Visited private collections in homes that make Downton Abbey look small… privately owned Vermeers, Da Vincis, Sargents, and Rembrandts the public never sees. We arranged a private hour in the Sistine Chapel … just our group, in silence, looking up. Once, every single traveler held a Van Gogh painting in their own hands. This year, we’re going to Japan. www.finearttripcom/japan

 

Leaving the Gators Behind: Today I leave the tropics to return home to Austin, where I’ll be hosting an international broadcast to every state and about 20 countries for our online art conference Acrylic Live, taught by the best of the best. You can still register; it starts Tuesday. Visit www.acryliclive.com

Last week I told you I’m going to Florence to study drawing at the Florence Academy of Art for five weeks, but right after, I’m flying to the Plein Air Convention in the Ozarks. It turns out this is the closest convention anyone can drive to from most of the country … 7 hours from Chicago, Dallas, and Nashville. People are driving from all corners of the country, from Canada and Mexico. People are flying in from around the world. I’d love to see you there. It may be the closest to you it will be in the next three years.. Register now at www.pleinairconvention.com.

The Arrogance of Youth, the Danger of Ancient Wisdom2026-03-22T07:32:57-04:00
15 03, 2026

The Call Before Commitment

2026-03-13T16:58:34-04:00

The water does something at this hour that defies explanation. Thousands of shifting diamonds blink across the surface as the Florida sun finds its angle. I’m squinting from the shore at silhouettes of palm trees and lounge chairs so perfectly arranged they look airbrushed into a brochure.

A dolphin surfaces 50 yards out, indifferent to my admiration, then disappears. And overhead, an osprey circles in that slow, focused way that tells you she’s not sightseeing. Then she stops.

She announces, then dives.

The osprey calls out before she commits. It’s not a warning to the fish; the fish can’t exactly reschedule. It’s an announcement: I’m here. I see you. Here I come. Then she folds into a javelin, hits the water with the kind of commitment that makes you wince, and rises with golden talons wrapped around something that didn’t get a vote in the matter.

She didn’t circle forever. She didn’t weigh the risks or consult anyone. She didn’t overthink it. She announced. She dove. She ate.

I’ve been thinking about that all morning.

What the Osprey Knows

Here is what the osprey is not doing: She is not explaining to her osprey friends that she’s “taking some time.” She’s not posting about it. She’s already circling again.

I say this not to shame anyone whose definition of a good Tuesday involves a golf cart and a satisfying nine holes. If the green fills you the way a fish fills an osprey, then play every course on the continent with my blessing. There is no right or wrong here.

But I have a suspicion that some of you are circling without committing. That you feel the pull but have slowed the wings a little because someone or something … a decade, a culture, a well-meaning doctor … suggested you’ve earned the lounge chair. That maybe this is the phase characterized by the gradual, graceful reduction of ambition. And maybe some mornings you’re not sure you agree.

Breaking What Works

Here’s what I know about myself: I try to be like the osprey. I have insane ideas, and so I announce them, to shame myself into getting them done. Without the announcement, there is no accountability. Without action … the dive … I’d keep circling with no consequence, no skin in the game, no reason to actually leave the air.

The announcement is the commitment. It’s not bragging; it’s burning the bridges behind me. 

Most people keep their big ideas private, and that’s precisely why most big ideas die quietly, somewhere between the coffee cup and the calendar. You can circle a private idea forever. The moment you say it out loud, to someone who will remember, the dive becomes non-negotiable. Your reputation is now in the water ahead of you.

Breaking Old Habits

I didn’t build a company to produce the same widget for a thousand years. I love reinvention. Not reinvention out of crisis, but the deliberate, mildly reckless act of breaking something that isn’t broken, just to see what happens next. I like to do it personally and professionally.

The thrill isn’t in the outcome. The thrill is in the not-knowing. The moment before the dive, when anything is still possible. It’s a dopamine rush, and I’ve decided I’m not interested in giving it up just because I’m old enough to know better.

So my next stop: The Florence Academy of Art in Italy, five concentrated weeks of classical drawing and painting training, starting right after Easter, where excellence is the only acceptable standard and they will tell me with precise Italian politeness that my drawing is structurally incorrect, to erase and start over, and slow down this time.

I don’t need this to sell more paintings. I’m not building a curriculum around it. I’m doing it because the box exists and I want to know if I can check it. That’s the whole reason. And I just told you, so now I have to.

So I’ve been going to life drawing groups, practicing more than I normally would, trying to arrive less embarrassing than I currently am. That has limits, but I intend to reach them.

Business Gets the Same Treatment

And it’s not just the art. Back at my company, I’m launching new things — not out of pressure, not because the old things aren’t working, but because the best version of what I can offer my customers doesn’t exist yet, and I want to build it.

The excitement isn’t in knowing how it will go. It never is. It’s in the dive itself, the commitment before you know what you’ll come up with.

Every new thing I’ve built felt slightly insane and very scary in the early stages. I usually get resistance to every idea, rolling eyes, “Here we go again, another harebrained idea” from some of my advisors. That feeling, I’ve decided, is a good sign. Comfort is not a reliable compass. If everyone immediately agrees it’s a great idea, it’s probably not that great an idea.

It’s About the Hunt

Life, it turns out, isn’t about the fish you catch or accumulate, though those are nice perks. It’s about the hunt — the challenge, the unsettling electricity of knowing you’ve put yourself at risk, and announcing it so loudly that failure is no longer a quiet option.

The osprey doesn’t circle because she’s afraid of the water. She circles because she’s choosing her moment. But here’s the thing most people miss: At some point the circling stops being strategy and starts being avoidance. And the fish doesn’t wait.

You know which one you’re doing. We always do. Even though we tell ourselves stories about timing and finances, and convince ourselves that someday will come, most times there’s not another fish coming. 

The osprey is already circling again. The water is genuinely spectacular. And somewhere overhead, something is about to dive.

Where will you dive?

What are you in need of circling?

Eric Rhoads

P.S. The Soul of Plein Air Painting

When I return from Italy in the spring, I’ll be going straight to the Plein Air Convention, this year in the Ozarks near Branson, Missouri. The convention is the gathering place for the plein air movement worldwide.

If you’ve been before, I’m talking to you especially: “I’ve been” is not a reason to stop going, any more than eating a great meal once is a reason to skip dinner.

The Ozarks are staggeringly beautiful. Rolling hills, river valleys, a quality of light that drew Thomas Hart Benton — born in Neosho, Missouri, trained at the Art Institute of Chicago and Paris’ Académie Julian, and an inspiration to generations of painters since — to paint there.

Come because the best painting you’ll ever make hasn’t happened yet. Come because you haven’t given up on learning. Come because it’s not about the location, it’s about the experience and the people. Come because you, like the osprey, need to take a dive … a leap, because your soul needs it. Because there is never a good time, never enough money, never a secure economy, and because nothing lasts forever. Come before your seat is gone. In fact, 75 hotel rooms remain at our backup hotel, the one with a shuttle. pleinairconvention.com.

P.S. 2: Two Rare Travel Opportunities: Japan and China, Together or Separately 

Everybody wants to see Japan. I took a painting group there two years ago, but we didn’t have another week to view all the incredible artwork, including the enormous collections of Impressionist paintings. There are more Impressionist paintings there than anywhere else in the world outside of Paris — Van Gogh, Monet, all the greats.

This year, our annual Fine Art Trip from Fine Art Connoisseur magazine will spend 10 days in Tokyo, Kyoto, Osaka, and Hiroshima. These trips are legendary for their behind-the-scenes access and special experiences. You can learn more at finearttrip.com/japan.

We’re bumping against the registration deadline this week; we have to confirm hotel numbers and allow time for visas. Don’t wait.

Two Trips, One International Flight

Unusually, we’ve scheduled a painters’ trip to China right after the collectors’ trip to Japan, because many painters join the collector trip and there’s no reason to fly to Asia twice. For those painters already on the Japan trip, we will spend four days painting in Japan, then head to China to begin our painting journey there.

After my trip to China last July, I fell in love with the scenery, the people, the food, and the spectacular culture. It’s incredibly paintable and very safe.

I’ve partnered with people I know and trust who have deep art connections in China, and who live and do business in China’s art world. They will take us to the most paintable locations, including access you would never get on your own. Two of China’s most spectacular plein air bases are on the itinerary: special hotels dedicated to plein air painting in breathtaking locations, created with government funding to encourage the practice of plein air and accessible to outsiders only through us on this one trip.

We stay in beautiful four-star hotels throughout. Fall in China is going to be outstanding, and you’ll be home in time for Thanksgiving. One of the great Chinese portrait artists, Denfong Li, will be on the trip with us, and we’ll be meeting top Chinese artists along the way. Learn more at pleinairtrip.com/china.

P.S. 3: My Summer Retreat Is 75% Sold Out

Every summer for about 16 years, I’ve hosted an artist retreat in the Adirondacks. I’ve been going there for 30 years now, and I still catch my breath on the drive in.

Let me try to explain what the Adirondacks actually are, because most people have no idea. The Adirondack Park is 6 million acres of protected wilderness, larger than Yellowstone, Yosemite, and the Grand Canyon combined.

Sit with that for a moment. 

It would be one of the crown jewels of the American National Park system except that New York State got there first, locking it into protected “forever wild” status in the 1890s before the federal government thought to claim it. The result is the largest publicly protected area in the contiguous United States: 3,000 lakes, 30,000 miles of rivers and streams, high peaks that disappear into clouds, and old growth forests so dense that they feel like a different planet than the one we inhabit daily. It inspired all of the Hudson River School painters, and we paint in many of the exact spots they painted.

In summer, the light does something extraordinary there. It comes off the water at angles that make painters slightly irrational. Loons call across the lake before anyone is awake. Mist rises off the water and hangs in the tree line like something staged. The Hudson River painters were accused of exaggerating sunset colors, but they truly are that brilliant because of the crisp, unpolluted air near the Canadian border.

We stay in comfortable new dorms at a college that looks out over the water, and we paint waterfalls, mountain scenes, and incredible lakes. People come back year after year — for the beauty of the place, yes, but equally for the beauty of the friendships.

And that’s only half of it. A small gathering of about 100 painters, and a stillness that doesn’t empty you out, it fills you up. No public show, no pressure to sell, no performance. Just easels at the water’s edge, long dinners that stretch into the kind of conversations you forgot you were capable of having, music, and friendships that have quietly become some of the most important of my life.

People who met as strangers at the first retreat are now in each other’s weddings, or texting photos of works-in-progress at midnight. That doesn’t happen at a conference. It happens when you slow down long enough to actually be present with people, in a place that insists on it.

This year’s retreat is nearly full; 75% gone as of this writing. If you’ve been curious, now is not the time to watch for details. Now is the time to act. Details at www.paintadirondacks.com.
The Call Before Commitment2026-03-13T16:58:34-04:00