It’s peaceful, sitting lakeside in the Adirondacks, on the dock and staring aimlessly at the morning mist rising off the water and pondering what I’m grateful for as I think about some of the wonderful moments in my life. Today, before the sun started to think about painting the sky pink, the loons acted as my alarm, starting the day with their haunting loooooon call across the lake. It’s not just a sound — it’s a two-way conversation that’s been going on for thousands of years, since long before we humans showed up.
That call echoes off the mountains and settles right into my bones, making me realize that I’m just a guest here, and not even a particularly important one in the grand plan.
Like clockwork, as if someone said, “Cue the birds,” a giant bald eagle comes swooping in overhead like he owns the place — which, let’s be honest, he pretty much does. Wings spread wide as my mother’s old ’55 Buick, riding the thermals with the kind of effortless grace that makes you wonder why we humans work so hard at everything.
All summer long, we’ve been watching two baby loons ride around on their mama’s backs like tiny feathered passengers on the world’s most elegant water taxi. They started out as little puffballs that could barely keep their heads up, and now they’re almost ready to strike out on their own. Soon they’ll be practicing takeoffs and landings, and we pray the eagles don’t intercept them for a morning snack.
Reliving the ’80s
Though I’m not one to live in the past, I often think about some of the great moments in my lifetime, like the years between 1980-86, when I had my first radio station. The excitement was uncontrollable when we finally made the move. Our radio station had outgrown its Provo roots, and Salt Lake City — 45 minutes north — beckoned with its larger market and greater possibilities. Our signal now blanketed the Salt Lake Valley, but the ad agencies wouldn’t bite. To them, we were still outsiders, a Provo station playing dress-up in the big city. The daily commute to meet potential advertisers was becoming unsustainable. Something had to change.
Real estate prices in downtown Salt Lake hit me like a cold mountain wind. The prime locations were laughably out of reach. So I did what desperate entrepreneurs do — I got creative. I found a forgotten corner of the city, a neighborhood where most people quickened their pace and avoided eye contact. The old Crain plumbing warehouse stood there like a monument to better days, its upper 8th floor mostly vacant because tenants felt the area was too dangerous. It was all we could afford.
Being a Pioneer?
We transformed that empty space into vibrant studios, and when construction was complete, we threw a party that shook the rafters. With audacious confidence, we declared this forgotten district would become the city’s new media hub. Amazingly, people believed us. Within months, a celebrated restaurant opened on our ground floor. A major advertising agency relocated down the street. Like dominoes falling in reverse — building up instead of knocking down — the neighborhood transformed. Creative agencies, media companies, and art galleries flourished where decay once reigned. We had unknowingly wielded the cultural influence of a popular radio station to resurrect an entire district. Sometimes being first isn’t about being brave; it’s about having no other choice.
But the greatest treasure wasn’t the real estate transformation — it was the people I discovered in that old warehouse.
Three Guys and a New Tenant
Three guys shared a cramped office down the hall, fellow pioneers in our urban frontier. Henry was bootstrapping a direct mail company with more ambition than capital. Brent worked as a freelance TV and radio engineer, his desk perpetually buried under circuit boards and cable spools. And then there was Jackson, a former television news anchor who’d traded the teleprompter for entrepreneurship.
We became inseparable, our after-work conversations stretching long into the evening. Henry eventually vanished into the entrepreneurial ether — we lost touch years ago. Brent came to work for me, met his future wife at our station, then moved away. He’s since passed on, leaving memories of laughter and late-night technical miracles. But Jackson — Jackson remains a lifelong friend, one of those rare connections where months of silence dissolve instantly into hours of conversation.
The King of Conversation
Everyone who left Jackson’s office said the same thing: “What an incredible conversationalist! I feel so energized after talking with him.” This universal reaction made me pay attention. I studied Jackson like an anthropologist observing a master craftsman. Here’s what I discovered: Jackson wasn’t a conversationalist at all — he was an excavator of stories. He asked questions with genuine curiosity. He listened with his whole being. He reflected back what he heard, making people feel truly seen. In a world full of broadcasters, Jackson was a receiver, and that made all the difference.
The Art We’ve Lost
We all hunger to be heard. It’s a fundamental human need, as basic as shelter or warmth. Yet somewhere along the way, many of us — myself painfully included — become addicted to transmitting instead of receiving. Just last week at Boathouse Yoga, I met a woman and immediately found common ground. But instead of exploring her story, I hijacked the conversation with my own tales. The awareness hit me like cold water: I was so desperate to be understood that I’d forgotten to understand. I could tell by her eyes I’d lost her. But it was too late.
The Bible speaks to this ancient wisdom: “Everyone should be quick to listen, slow to speak” (James 1:19), and “A fool finds no pleasure in understanding but delights in airing their own opinions” (Proverbs 18:2). These aren’t just religious platitudes — they’re blueprints for human connection.
I’ve catalogued some conversation killers over the years:
The Jumper interrupts mid-sentence, unable to contain their own thoughts. I worked with one who would cut me off 30 times in a single hour, talking 95% of the time while actively not listening the other 5%. They’re so busy formulating their next statement that your words bounce off them like rain off a windshield.
The Droner delivers monologues without pause, without breath, without mercy. One colleague was so committed to his soliloquies that I’d put him on speakerphone, offer an occasional “uh-huh,” and complete entire projects while he talked. The tragedy? He never noticed.
The Judge weaponizes every conversation into a tribunal. “That’s a terrible idea.” “You shouldn’t do that.” “What you’re doing is wrong.” They distribute unsolicited verdicts like a court clerk handing out subpoenas. After encounters with Judges, I find myself taking alternate routes at parties, treating them like social land mines.
The Negative finds fault in everything you say, never encourages, always looks for problems.
Tony Robbins once observed that “We’re all just scared little boys and girls,” and that truth reverberates through every failed conversation. I started life painfully shy, avoiding eye contact out of fear, inadvertently signaling lack of interest when I desperately craved connection. My father’s only communication training came when I was 8: “Firm handshake, look ’em in the eye, say hello with confidence.” Yet he was a master — making instant friends, remembering details from conversations years past, making everyone feel like the most important person in the room.
The Transformation
I’m rewriting my conversational DNA as we speak. Though my ego craves the spotlight, I’m learning to dim my own lights so others can shine. My new practice: Listen fully, regardless of duration. Probe deeper. Resist the urge to redirect toward my favorite subject — myself. Approach each conversation with love, recognizing that if someone needs to speak, I need to listen.
This isn’t about self-denial; it’s about discovering that real connection happens in the space between words, in the questions we ask rather than the stories we tell. When my mind races ahead to solutions, seeing the answer 10 steps before the speaker arrives there, I’m learning to guide rather than rescue, to walk alongside rather than charge ahead.
Can a bird change its markings? We’re about to find out.
My new mantra: Become a gentle spirit — more loving, understanding, supportive. At work, I’m painfully practicing silence, letting others speak first, resisting the gravitational pull toward conversational dominance and the need to solve every problem. What if we all listened more, interrupted less, avoided monologues, and cared more about hearing than being heard? The paradox is beautiful: By creating space for others, we often find ourselves truly heard for the first time.
The Best Speaker I Ever Saw
I once saw a speaker on stage and said, “I want to be like him. Brave, confident, and in control on stage.” I approached him after and asked him how to learn what he knew, which resulted in my spending five life-changing days in New York and writing a very big check I could not afford to write. The end result was remarkable, as I came to understand many of my issues and made directional changes, along with challenging myself and putting myself in situations that made me uncomfortable. I only wish I had discovered it sooner. If only we could be taught these skills in school.
I changed then, and I can change now. But it’s never easy. Being comfortable and not changing is easy.
How are you doing in the listening department?
Are you listening, jumping to conclusions, judging, dominating the conversation, being negative, or over-talking?
I’ve been guilty of them all, and I”m going to try to train my brain to be less of what I was and more of what I should be. Won’t you join me?
Sometimes the most profound journeys begin not with speaking, but with finally learning to listen.
Eric Rhoads
PS: Going Deeper
Last week on my Art School Live YouTube show (now at 18.2 million views), my dear friend Leslie Hamilton and I continued talking after the cameras stopped rolling. She told me she would be joining me at Fall Color Week, and I shared how Fall Color Week and my other retreats have become the highlights of my year — not for the networking or the content, but for the depth. At large conventions, I’m a social butterfly, meeting hundreds but knowing none. But at Fall Color Week, we share meals, evening conversations, and painting sessions that create real bonds. The fact that I often discover incredible new artists for our platforms? That’s just a delightful bonus.
Join Me in Door County
My next retreat takes place in Wisconsin’s Door County, a peninsula that captures the essence of Cape Cod’s quaint charm and Maine’s dramatic coastline, all in the Midwest. Imagine lighthouse-dotted shores where waves crash against ancient limestone cliffs, creating a symphony only nature could compose. The fall colors here don’t just change — they explode across the landscape in crimsons, golds, and oranges that make your artist’s heart race. Victorian fishing villages nestle against harbors where morning mist creates ethereal painting conditions.
This is where magic happens — not just in our art, but in our connections. If your soul needs both creative inspiration and genuine human connection, join me. We still have a few spots remaining. Visit FallColorWeek.com to claim your place in this transformative experience.
Discover the Magic of Gouache
Have you considered exploring gouache? This remarkable medium combines the best of watercolor’s fluidity with oil’s opacity and vibrancy. It’s forgiving — you can rework areas even after they’ve dried. It’s versatile — thin it for watercolor effects or apply it thick for bold, opaque coverage. It’s portable — no toxic solvents, minimal setup, perfect for plein air painting. Most importantly, it’s approachable for beginners yet endlessly challenging for masters.
Ready to unlock gouache’s potential? Join us at GouacheLive.com, where master artists reveal techniques that will transform your artistic practice. Whether you’re a complete beginner or looking to refine your skills, this is your invitation to explore a medium that might just revolutionize your art. It’s a full day with top gouache masters, and about the same price for two at the movies before the snacks. Thousands have already signed up — don’t be the one who misses it. www.GouacheLive.com. Oh, and replays are available in case you do miss it, and we have a whole new replay system to make replays even better.
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The hum of the city was a lulling symphony to my ears as I strolled down the narrow streets of Berlin, the cobblestones smart beneath my glossy, black boots. My heart pounded an energetic rhythm in concert, yet this was no casual stroll. Tonight was the night. The anticipation lingered in the air like electric dew, sparking my senses. I was a dominant, a dominatrix known for my precision, my calculated touch, and most importantly, for the control I exercised. Adrenaline shot through my veins, a potent mix of anticipation and power.
A quiet, detached pleasure always enveloped me before the performance began. The anticipation was intoxicating. It was as if every cell in my body was whispering promises of the ensuing control, the binding contracts of pleasure I was about to orchestrate. The feeling was irresistibly persuasive; akin to standing on top of a mountain, your breath caught in your chest, knowing that you were about to launch yourself into an abyss of exultation.
And then I arrived. The building was nondescript, blending in with the rest of the grey-faced Berlin edifices, but to me, it bore the elegant signatures of freedom. Inside, uncertainty was replaced by authority; doubt turned into command. This was the realm where I could express my desires and fetishes, free of judgment and ridicule. It was a world constructed on trust and codified with pleasure. Every whip, every chain, each item didn’t merely symbolise domination. They signified liberation.
I entered my chamber, a private haven of darkness and sensual pleasure. The room held an intoxicating blend of impending satisfaction and a faint aroma of leather and wax. Privacy was important in my line of work, for it allowed me to let my guard down. In the real world, I wore the mask of a charmer, an affable gentleman, but here I could uncoil my desires, free to whip, bind and command. It was a twisted, thrilling dance that blended ecstasy with power. Every move was a play, every sound was an opera.
I contemplated my plan for the evening. It was time to go to the list — a secret dossier that held their deepest, most shrouded desires. It was a testament to the trust they had vested in me, allowing me to explore the crevices of their darkest pleasure chambers. As I traced the words on that list, my heart pounded with a primal excitement. It was as if every entry on the list was a cryptic promise of the feast that was to come. It was through this list that I unlocked the complexities of human desire, the painted veil of pleasure and resistance, the blend of pleasure and power.
As the night progressed, the room thrummed with the palpable energy of restrained anticipation. The chains rattled, the whips sang, and the air crackled with the electric charge of dominance and submission. Freedom morphed into an intoxicating cocktail of pleasure and power. The eroticism wasn’t just about domination; it was about self-discovery, exploration, absolute liberation. It was about playing the chords of ecstasy and watching them quiver in delicious anticipation. It was about pushing the boundaries of pleasure and yet, adhering to the tacit agreement of trust.
In those moments, lost in the carnal symphony of this forbidden dance, I wondered if this was the ultimate form of freedom. The freedom to command, the freedom to let go, the freedom to lose and yet, entirely possess oneself. For in our pleasures, we found our truest selves. In dominance, there was liberation. In submission, there was freedom. In the dance of power and pleasure, we were truly free. [url=https://anussy.com/][img]https://san2.ru/smiles/smile.gif[/img][/url]
The seductive evening air in Paris was ripe with anticipation, a subterranean undercurrent of passion, like a sultry breeze heralding the promise of a storm as I uncorked a bottle of Merlot. Being a dominatrix, you learn to savor the plain little details – the crisp pop of a cork, the rich aroma of aged wine – these are intricacies of power, threads in the vast tapestry of dominance I have come to expertly weave. Over the years, I’ve understood the sheer potency that self-assuredness holds, the intoxicating lure of raw confidence.
One night, a certain nouveau client approached me. He was a businessman, successful by all accounts but harboring a secret craving for submission. I ushered him into my chasse privГ©e, my sacred den of power and control, adorned with instruments of my trade. “Bienvenue,” I purred, seeing him glance around nervously. I effortlessly guided him, pushing the boundaries of his desires to a realm only a man of dominance could navigate. An online site, “xxx linksite,” proved to be an unexpected trove of knowledge – helping me tailor my techniques to his specific tastes.
His initial hesitation melted with the display of my panache and the assertiveness I exuded in my role. With each meeting, I witnessed him unravel, liberated by the experience. I felt victorious, not over him, but over the societal constructs that cage our obsessions. Here, in this hushed world, I was a force to be reckoned with. Confidence was not just a trait but a weapon, a beacon, a bridge to a world unrestrained by prudery. Dominance, much like the Merlot in my glass, is an acquired taste, deep, sophisticated, leaving a poignant aftertaste of an indelible experience. For those who discover its essence, it becomes a voyage of self-discovery and liberation, much like my journey as a dominatrix. [url=https://anussy.com/][img]https://san2.ru/smiles/smile.gif[/img][/url]
I agree with Agnes. When I was a teenager wanting to be popular, my mother said “ Be a good listener “. But even though I understood that, l fear that most of my life I have more likely resembled a “Jumper”. Thanks for reminding me to try harder to listen.
This is one of your best Sunday Coffees!!
Agnès (from Paris)